Art Conversations: Ideas and Aesthetics of Modernism

Modern ideas are often applied within the aesthetic imagination of the Filipinos. F. Sionil Jose’s obsession with the significant form and the greatness of the art of the masters echoes Clive Bell in his The Aesthetic Hypothesis, “It is the mark of great art that its appeal is universal and eternal. Significant form stands charged... Continue Reading →

Art Conversations: The Concept and Question of “Beauty” and “Sublime”

As revealed in the discussions on Poleteismo, Filipino people are still looking for beauty in art. Numerous articles are looking, not just for beauty but also for the ennoblement of the soul. It almost appears that the Filipino aesthetic valuation and theory remain still with the “great masters” echoed by F. Sionil Jose. In another... Continue Reading →

Art Conversations: What is Art? Problems of Defining Art

The earliest cries on the aesthetic value of Poleteismo is its position as art. It is the root cause of the controversy and debate when the issue of religious offense was set aside. Various definition of art was propositioned from various sectors, including two of the most popular and opposing editorials--F. Sionil Jose’s Hindsight: The... Continue Reading →

Art Conversations: Critical Art Practices in the Philippines

A hundred and fifty years after Jose Rizal’s death, about a hundred years after Marcel Duchamp’s The Fountain, where do we actually find ourselves? We are still stuck in the conventions of the great masters of the great museums all over the world. At least, it appears that we are. How did we get here?... Continue Reading →

A Woman’s Story: From Feminism towards Post-Feminism and Back

by: Maria Portia Olenka C. Placino What is a woman? What defines her? Is she different? How so? These are some of the questions I asked as the strength of my character was challenged and measured today. Things were on track. My paper was working out in its own way. Everything was relatively fine. And... Continue Reading →

Perception and Theatrical Embodiment

by: Maria Portia Olenka C. Placino Once again, I am staring at a blank sheet of paper as I struggle with the topic I am working on--psychoanalysis and phenomenology. Neither of the two are my favorite. I certainly do not want to unearth the writings of Sigmund Freud and Carl Jung, again. As an undergrad,... Continue Reading →

Marxism at the height of Capitalism

by: Maria Portia Olenka C. Placino "Iskolar ng Bayan, ngayon ay lumalaban!" This is a familiar battle cry. What kind of UP student are you, if you have never heard this chant, everywhere in the university. They even chant it outside of the university--to the senate, the congress, the palace… This often shocks or at least... Continue Reading →

Jose Rizal, Mideo Cruz, Kulo and Censorship

150 years. Did the world really change? Most times, I feel like life is spearing ahead too fast. But if you examine our history, our legacy, you may ask, did it really change? 150 years after. We celebrate Rizal’s 150th birthday with exhibits, shows, parades and many other commemorative exercises. We celebrate the hero. Yet,... Continue Reading →

Eye of the Flâneur (?):Re-Evaluating Modernism

Soft lighting, generic jazz music, cheap wine, flowing beer, canapés, dimsum, finger foods and pretensions—that pretty much describes the stereotypical gallery opening in the “modern” art world of Manila. People laugh, smoke, kiss each other’s cheeks and throw in art words as they toast to the success of the exhibiting artist and gallery. They are... Continue Reading →

Create a free website or blog at WordPress.com.

Up ↑

%d bloggers like this: