A Woman’s Story: From Feminism towards Post-Feminism and Back
by: Maria Portia Olenka C. Placino What is a woman? What defines her? Is she different? How so? These are some of the questions I asked as the strength of … Continue reading
Perception and Theatrical Embodiment
by: Maria Portia Olenka C. Placino Once again, I am staring at a blank sheet of paper as I struggle with the topic I am working on–psychoanalysis and phenomenology. Neither … Continue reading
Marxism at the height of Capitalism
by: Maria Portia Olenka C. Placino “Iskolar ng Bayan, ngayon ay lumalaban!” This is a familiar battle cry. What kind of UP student are you, if you have never heard this … Continue reading
Jose Rizal, Mideo Cruz, Kulo and Censorship
150 years. Did the world really change? Most times, I feel like life is spearing ahead too fast. But if you examine our history, our legacy, you may ask, did … Continue reading
Eye of the Flâneur (?):Re-Evaluating Modernism
Soft lighting, generic jazz music, cheap wine, flowing beer, canapés, dimsum, finger foods and pretensions—that pretty much describes the stereotypical gallery opening in the “modern” art world of Manila. People … Continue reading
Seeking Beauty and the Sublime
by: Maria Portia Olenka C. Placino This specific topic has been troubling me. After pondering long and hard about it, I am stuck. I’ve read all of the reading assignment. … Continue reading
Mark Salvatus’ Secret Garden 2 Critique
Silip sa Selda Kinse by: Maria Portia Olenka C. Placino Sa isang tunay na selda—madilim, masikip, mabaho. Hindi makakilos. Walang buhay. Hindi makahinga. Nakakulong. Halos mahawakan ang katabi, naamoy ang … Continue reading
Rodel Tapaya’s Bulaklak ng Diwa Critique
Beyond Kabunyan: Visual Narrative of Contemporary Filipino Mythologies by: Maria Portia Olenka C. Placino Engulfed yet segregated—Rodel Tapaya elicits into visual imagery the contemporary Filipino mythologies amidst the post-colonial re-interpretation … Continue reading
